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- <text id=94TT1279>
- <title>
- Sep. 19, 1994: Theater:Looking Amazingly Swell
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Sep. 19, 1994 So Young to Kill, So Young to Die
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/THEATER, Page 86
- Looking Amazingly Swell
- </hdr>
- <body>
- <p> Carol Channing won a Tony for Hello, Dolly! in 1964. Now she's
- on tour with the show. Depressing? Anything but.
- </p>
- <p>By William Tynan
- </p>
- <p> When the announcement came early this year that Carol Channing
- would take to the road in a 30th anniversary tour of Hello,
- Dolly!, two questions sprang to mind: Just how ancient is Carol
- Channing, anyway? and Why would anyone want to see yet another
- version of that sappy, mediocre show? Here are the answers:
- 73, but capable of delivering an ageless performance that reminds
- theatergoers of what it means to see a star; and this particular
- Hello, Dolly! is a superb production of one of the happiest
- creations in all of musical comedy. In general, cross-country
- tours of old musicals featuring septuagenarians who have, let's
- say, fallen out of the public eye can be the dreariest events
- in all of show business. Not this time.
- </p>
- <p> Dolly will visit more than 40 North American cities before the
- end of 1995, (it's in Pittsburgh this week) with Broadway and
- an international tour projected to follow. Staged and choreographed
- by veteran performer Lee Roy Reams under the supervision of
- composer Jerry Herman, the show has all the snap and style one
- remembers from Gower Champion's original production, which won
- a record 10 Tony Awards (Channing beat out Barbra Streisand's
- performance in Funny Girl). Exceptfor its confused and too hasty
- resolution, Michael Stewart's book--about a meddlesome, matchmaking
- widow--craftily melds song and dance. Corny? Sure, but also
- funny, and these days that's a rarity. Most important, Herman's
- infectious, toe-tapping score remains among the most melodious
- ever written for a musical.
- </p>
- <p> This may be a road show, but the sets and costumes are Broadway
- quality--and so is the supporting cast. As the curmudgeonly
- Yonkers merchant Horace Vandergelder, Jay Garner is a heavyweight
- foil for Channing. Michael DeVries, as chief clerk Cornelius
- Hackl, and Florence Lacey, his vis-a-vis as milliner Irene Molloy,
- are an especially appealing pair of singing comedians.
- </p>
- <p> But it is Channing whom one comes to see, and she exceeds expectations.
- Though she has played Dolly more than 4,000 times, her gawky,
- over-the-top performance is still heartfelt and honest, and
- the audience cheers her for it. There's more gravel in her baritone,
- but she is pitch-perfect and a mistress of timing. She can build
- a laugh into a roar by simply chewing. And her disdain is magnificent,
- contemplating a gift of "chocolate-covered peanuts--unshelled."
- </p>
- <p> Her Dolly is different this time around. "She is bawdier, franker,
- sexier," says Channing in the gauzy drawl that has launched
- a thousand impersonators. Sitting in her hotel suite, wearing
- a navy blue Ralph Lauren military-style tunic and cream-colored
- slacks, she leans forward earnestly. Head atilt, unrelentingly
- wide-eyed, she explains: "The audience has changed and I've
- changed." If Channing has to work harder to achieve what she
- did more easily 30 years ago, then work she does. "I'll go to
- my grave remembering the tears and laughs I didn't get," she
- says. There were plans for the show to go to China, but they
- fell through. Even there Channing had intended to give it her
- all. "I had hired someone to teach me a curtain speech in Mandarin
- Chinese," she says.
- </p>
- <p> Channing and her husband of 38 years, Charles Lowe, have a home
- in Hollywood, but they're "never in it." A former television
- producer, Lowe manages his wife's career. The couple travel
- with 20 pieces of luggage, including a small case just for Channing's
- false eyelashes. They're accompanied by a factotum who shops
- and cooks for them and precedes them to each city to set up
- their rooms with the memorabilia that make life on the road
- more bearable: family photos, three original Al Hirschfeld drawings
- of Channing, Science and Health by Mary Baker Eddy (Channing
- is a Christian Scientist) and several cartoons by their son
- Channing, a syndicated political cartoonist. The fact that she
- has little time for anything but work doesn't faze her. "It's
- all a matter of how you've spent your life," she says. "I'm
- used to it. A lot of people complain that this is like being
- in jail, that they can't do anything else but the show. Well,
- yes."
- </p>
- <p> Channing has rarely stopped working over the past 30 years,
- but the results have been mixed. Lorelei was a pallid sequel
- to Gentlemen Prefer Blondes, her first big hit, and Legends!,
- a comedy co-starring Mary Martin, was a critical disaster that
- never reached Broadway. In 1968 she was nominated for an Oscar
- for Thoroughly Modern Millie, but her movie career has been
- a disappointment. Recently she has been performing a one-woman
- show in which she does "a little of everything," as she puts
- it--"singing, dancing, whistling, turning somersaults." If
- she has regrets that there has been no role to compare to Dolly
- or the original Lorelei, she doesn't reveal them. "Wasn't I
- fortunate?" she says. "Two crashing successes."
- </p>
- </body>
- </article>
- </text>
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